R V.Ramani, born in Mumbai, 1957, graduated in Physics from Mumbai University. He worked as a photojournalist in Mumbai and later graduated from the Film and TV Institute of India, Pune, in 1985, with specialization in Motion Picture Photography. Today he is one of the leading documentary filmmakers in India, who has established a unique style of his own, making independent impressionistic documentaries, which has found recognition both in India and abroad. He has traveled widely with his films and his films and Retrospectives have been presented in many International Film Festivals. He regularly conducts filmmaking workshops at many Institutions. Presently he lives in Chennai, working on many feature documentaries.


“My films are based on the premise – the only issue is the need to express and to reach an expression. The inspiration for the film comes when I experience a sense of a ‘sruti’, a tuning or a feeling, for a possible film. The shot taking and its character then align to this ‘sruti’. It’s mostly to do with my own preoccupation, a sense of concern, a strong connection with the ‘subject’, to understand, to relate, to share and most importantly to discover a film in the process. For me this approach gives rise to the content of the film. The impact of the filming on the ‘subject’ and the subject’s relation towards the language of cinema, my own presence in the context, I usually address within the structure of the film. I would say my process has been largely democratic primarily towards the elements of cinema. I consider it’s important that a shot has to live its full life and reveal its full potential. My process of editing has been like filtering the essence of the shooting. Most often, in the process of editing, I find the footage starts resonating and dictate a rhythm, structure and flow. This becomes the logical end of the edit. I have given great emphasis to the synch sounds in all my works. The picture and sound most often cut together. Whenever there is a sound overlap or dissolve, I underline them, rather than disguising them. I avoid using voice over and narration. I basically work with the camera-generated image, and avoid trying manipulations. Even visual effects are meant to underline rather than dazzle or to disguise. The accent is always on the experience. I believe, when you reach the experience of the highest order; the information contained within is the most appropriate, for the film. Though I have been working on the so called documentary format, the experience of my films are essentially fiction.”


  • MAMI, Mumbai Film Festival
  • Dharamshala International Film Festival
  • Mumbai International Film Festival, Mumbai.
  • New Silk Route Film Festival, China
  • Split Film Festival, Croatia
  • Documentary Film Festival, Kerala, India
  • India International Film Festival, Kolkata
  • Munich International Film Festival, Germany
  • Film South Asia, Katmandu, Nepal
  • DocumentART, International Film Festival, Germany.
  • Jeonju International Film Festival, South Korea
  • Videart International film Festival, Mexico
  • International Video Festival, Kerala, India
  • Les États Généraux du Film Documentaire, France
  • Yamagata International Documentary Film Festival, Japan
  • Kara International Film Festival, Pakistan
  • Festival Wayang, Indonesia
  • International Puppetry and Film Festival, China
  • Festival International Médias Nord Sud, Switzerland
  • Pusan International Film Festival, Korea
  • Persistance Resistance International Film Festival, New Delhi, India
  • Hyderabad Film Festival, Hyderabad, India
  • SIGNS Film Festival, Kerala
  • Vibgyor Film Festival, Kerala
  • Ghorakpur Film Festival, India
  • Bangalrooru International Film Festival, India
  • International Documentary and Short Film Festival Kerala, India


  • Bala Kailasam Memorial Award, 2019, Best Film ‘Oh That’s Bhanu’, Excellence in Documentary Filmmaking
  • Best Long Documentary Award, National, Mumbai International Film Festival MIFF2018
  • Special Jury Award, New Silk Route Film Festival, China
  • DocumentART, International Film Festival, Germany. RETROSPECTIVE
  • Mumbai International Film Festival, Mumbai, India. RETROSPECTIVE
  • Kala Ghoda Festival, Mumbai, India. RETROSPECTIVE
  • Asia Pacific Trinalle, Australia. RETROSPECTIVE
  • Hyderabad Film Circle. RETROSPECTIVE
  • Persistance Resistance International Film Festival, New Delhi, India. RETROSPECTIVE
  • Madurai Film Festival. RETROSPECTIVE
  • Presented Alamgir Memorial lecture at the Dacca International Film Festival.
  • Jury Member, IDSFK
  • Jury Member, IIT Film Festival
  • Jury Member, National Film Awards
  • Jury Chairman, Kerala State Television Awards
  • Guest faculty and Consultant at many Film Schools and Media Courses.
  • Visiting Professor – Ambedkar University Delhi from 2015 to 2020